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In this generative poetry workshop, we will learn about writing with safety, specificity, and authenticity.

In this virtual class, participants will hear from three different authors on their roads towards publishing memoirs.

The best way to improve as a writer is to write. The second best way is to read and analyze contemporary literature.

It’s not easy to make readers laugh, but I find that when you do, they might be more willing to follow you down whatever path you take them on.

This is a class for people who want to write a novel but need a kick in the pants to get started, or are stuck starting over and over and want support.

A 6-week memoir course by the author of When They Tell You To Be Good and grassroots organizer, Prince Shakur, on how to craft and write your memoir.

Are you writing a novel? Short stories? Flash fiction? It's all welcome in this six-week generative workshop.

To live with authenticity in these times is to live with and within the questions of how to unmake and remake (our) selves as we witness unspeakable catastrophe

Finishing a short story or essay is a win, but getting it published requires a completely different mindset.

When you see the word fierce, do you imagine a wild animal with its fangs bared, maybe blood dripping from them? Fierce Writing is not violent, but it is wild.

In this class, we will practice both radical and focused revision strategies while reading and discussing the work of published poets, pre- and post-revision.

Everyone has a story to tell. In this 6-week class, we will generate new material as well as learn about the fundamentals of creative nonfiction.

Generate new poems in this six-week class designed to kick your writing into gear.

This two-hour lecture will provide the foundational concepts that we’ll work with in the four-week Developing a Writing Habit Class.

This class will explore the components of fiction (e.g., voice, dialogue, plot) in a variety of short stories.

You may have completed a draft, but the story doesn’t end there. In this workshop, learn about the necessary art of revision for fiction projects.

Are you writing a novel? Short stories? Flash fiction? It's all welcome in this six-week generative workshop.

Showing up to write isn’t half the battle – it is the battle.

This 6-week intermediate level class is geared towards writers who have already completed an intro class.

What happens when you redact a document and let what remains speak?

The past is closer than you think—and full of pressures, as writers scramble to become experts in every part of historic life.

We tell tales or hand down stories about our ancestors and our heritage to provide us with comfort, knowledge, and perspective.

In this class, we'll read one craft book before each session. During class time, we'll discuss the book and work on exercises inspired by the content.

This course is designed for advanced memoir writers who want to refine their work, have it critiqued, and to explore the forms of memoir.

You've got a few pieces you're proud of, but how do you get started in the world of submissions?

Many of us think the core component of a poem is the image but one of the poet's most powerful tools is the line itself.

Are you on a mission to write more? Trying to make headway on a larger project? Need some help? Us, too!

How do longer poems get written? Often connections between what we write emerge over a period of time. One way is to consider the longer poem is a "collage".

Showing up to write isn’t half the battle – it is the battle.

In this craft talk and generative workshop, we will consider the possibilities of writing in persona.

Do you feel like your characters are struggling to speak? In this class we will discuss writing dialogue that doesn’t sound clunky or robotic.

This class will explore the components of fiction (e.g., voice, dialogue, plot).Participants will use knowledge and writing exercises to write your own story.

Learn about narration, distribution, and marketing strategies to bring your stories to listeners everywhere.

Few things are more frustrating than realizing your character has read your outline and said, “Absolutely not.”

Have an idea for comic or graphic novel but aren't sure where to begin? Join us!

This two-hour lecture will provide the foundational concepts that we’ll work with in the four-week Developing a Writing Habit Class.